• Chiara Braidotti

Impossible Sculptures

In the Studio with ha:ar, Hande Şekerciler and Arda Yalkın.

The impetus and dynamic orchestration of the fluctuating bodies in Impossibile Sculptures symbolises the eternal tension between the terrestrial and the celestial. The work of artist duo, Hande Şekerciler and Arda Yalkın (ha:ar) centres on themes that span from our ancestral feelings to the postmodern sense of alienation. Impossible Sculptures capture the essence of our times. The artists portray dense compositions of bodies that appear reborn amidst an ethereal surrounding, reminiscent of an ultra-contemporary Renaissance.

The composition is often purposely left unbalanced, encouraging the viewer to take part in this act with a revolutionary gesture. Within this communion between the scene represented in the artworks and the individual viewer, the artists play the role of narrator, observing the response of the viewer with an open and forgiving mind. Here, the artists are the tellers of a story that permeates centuries of human existence. If it is true that nothing can be created or destroyed, Ha:ar are the testimony that a realm in which the embodiment of the present and the uncertainty of the future can blend in harmony, revealing an intangible hyperuranium.

Impossible Sculptures n.20, ha:ar, 2021

In Impossible Sculptures No. 22, ha:ar merge sacred and profane scenes with a strong connection to the present. Simple gestures become cults in veneration of an unknown god, an extension of our perishable flesh in search of an eternal life.

Impossible Sculptures No. 22, ha:ar, 2021

Impossible Sculptures No.9, ha:ar, 2019

In this work, Impossible Sculptures No.21, the artists take inspiration from Giambologna's statue Abduction of a Sabine Woman, a tragic episode in which the men of Rome abducted a number of women from neighboring cities. In this artwork, emphasis is placed on Giambologna with the extension of the arm of the woman in the middle of the composition. Trapped by strong arms, the genderless body attempts to escape the unpleasant touch coming from underneath. The figure’s need to elevate their soul towards the sky creates a felt sense of alienation. Others are seen alone and in a state of concussion, as if fighting an invisible enemy.

Impossible Sculptures No.21, ha:ar, 2021

Abduction of a Sabine Woman, Giambologna, 1579-1583

Impossible Sculptures No.1, ha:ar, 2018

The Last Supper is one of the most iconic mural paintings by Leonorado da Vinci in which Jesus shares a meal with the twelve apostles. In this painting, Leonardo chose to depict the moment in which Jesus announces to the diners that one of them betrayed him. In the piece by Ha:ar, this defining moment is substituted with the act of taking selfies with a celebrity. Ha:ar reimagine a post contemporary scene in which the celebrity functions as a mirror to a future society, taking inspiration from Hilary Clinton’s recent campaign.