In Generated #29, abstraction lies in the repetition of a black and white motif, which grows into four directions for an increased optical effect. From rough edges to smudges, the computer-made geometries of Mattia Cuttini show irregularity. These details tell of the artist’s interest in initiating a dialogue between the digital and the analogue. He creates algorithmic visuals, which he then transposes via a printmaking technique. Prints betray the human hand with their imperfections and ink marks. The result is a piece that can only exist through the coexistence of craftsmanship and computational skills.